Cora, of Beruna (
dear_of_heart) wrote2012-04-29 07:30 pm
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fake m_m
The woman who walks out of the woods, 19th century backpack slung over her shoulders, hasn't been here in a long time. One might be forgiven for not noticing -- though she's a couple years older in appearance than she was last, she's much less stressed or worried than she ever was before.
"Oh!" she says, turning in a circle. Then she smiles, bright. "It really is Milliways."
She settles on a boulder by the lake, and takes out some cheese and bread. She'll head indoors in due time.
"Oh!" she says, turning in a circle. Then she smiles, bright. "It really is Milliways."
She settles on a boulder by the lake, and takes out some cheese and bread. She'll head indoors in due time.
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Piotr is coming from much less far away, even if the casual observer would only have seen them both emerge from wooded paths. He was on the far side of the lake sketching studies for a painting; it's a lovely afternoon, full of warm light. But there are clouds starting to gather, and he's judged not getting his sketchbooks rained on to be the better part of valor.
Things Cora may notice include his height, his quantity of muscles, and the large portfolio slung over his shoulder. Also, a general air of amiability.
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However, that's unlikely to happen at the moment.
Instead, he smiles back, and turns his steps that way.
(Does he know her? He doesn't think he knows her. He's got a good memory for faces, and he's pretty sure that was just a hello-stranger-I-am-friendly kind of wave.
But one can never rule out bodyswaps, reincarnation, etc.)
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"Hello!" she says, when he is close enough, putting away her food and dusting crumbs off her long skirt. "It's a lovely day, isn't it?"
She stands up, off the boulder, and dips a quick and shallow curtsy. "Cora, late of Narnia."
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He'd be flustered by a proper, formal curtsy with any real deference in it, but this kind of quick politeness he can manage fine; he bobs his head in return, only a little awkwardly.
"I am Piotr Nikolaievitch -- or Peter, if that is easier. Of San Francisco, now." Russia still lies deep under his words, a light but constant accent, and Russia is still and always home to his heart. But he hasn't lived in the Rodinya in many years.
"It is good to meet you, Cora."
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Maybe somewhere to travel next?
A quick smile. "Are you an artist?"
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"I am."
A very muscle-y artist.
"The light here is very good. And I can keep paintings here, and my girlfriend does not complain about paint on the furniture." Much. "Is useful."
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"Good day, " she greets her, with a friendly, if small, smile.
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(In it, she's written Morning -- I seem to have found Milliways. Not the one in His country, but as it is among the living. It is lovely, and not much changed that I can see.)
She meets Lothíriel's gaze with a smile, and stands off the boulder -- setting the book aside.
"Good day, my lady," she says, though despite the appelation her curtsy -- while polite -- is shallow. All are equal before Aslan.
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"I apologise for interrupting. I very nearly did not see you.", she explains. She too finds Milliways lovely, and feels compelled to comment on it. "It is a beautiful day, is it not?"
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They're subtly different, to her.
She glances back. "Have you been here long, my lady?"
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"Not at all. This is, I believe, my fourth visit. It has not quite exhausted its surprises for me."
Lothíriel is too new to know who frequents Milliways, or how often (or how long ago), but she parses Cora's comment well enough, she thinks, and asks,
"Are you back after a long absence?"
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"Cora, late from Narnia," she introduces herself, after a moment, "though there's like as not very little chance you've heard of us."
Not now that all of the Narnians in Milliways she knew have moved on.
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"My name is Lothíriel of Dol Amroth", she replies, and because she knows not of Narnia, adds, "in Gondor. You are right, of course: I have never heard of Narnia. Is it a country, or a city?"
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Not at all. Of course not.
Not even for the principles of the thing.
...The Mogget doesn't even like bread that much.
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She glances down, mildly curious, and then her eyebrows raise near to her forehead. "Yrael," she says, and stops, not quite sure what to say, finally settling on: "if you want some bread, you can very well have some, there's no need to go sneaking it like a thief." There's no real admonishment to it.
She sounds, if anything, like she's going to laugh or cry. There's something to be said for friends you haven't seen in an impossible amount of time.
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And an equally bright smile with laughing green eyes, a moment later.
"I was trying to settle upon some suitable fee to levy against one who has been absent far too long, you see," he says, perching upon the rock beside her. "But I was at a loss. Perhaps this will do better."
Because, even if you are a Bright Shiner and have your pride, some meetings call for hugs.
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"I didn't expect to see you," she admits, when they draw apart a bit. "I'd have thought -- well, it's been a very long while, hasn't it? That you'd have moved to one of those worlds you play music in."
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"It's been years," he replies. "But I doubt I will ever fully move on. This is my home, and I cannot truly leave the Charter of the Old Kingdom behind."
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That she leans her shoulder against him still says something for how she's missed him. Fifty years and death have loosened Cora's careful proprietry some, but she is not one over-given to touch with friends not currently in cat-form.
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"Far too long." That about covers it, however many years have passed. "I hope they were kind years, despite Time's insistence upon keeping my friend away from me."
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